Large Scale - La canción de la gran promesa (Spain 2010)
15-Channel Videoinstallation (Pal SD) by Tobias Rosenberger, 4min31 (Loop)
Music: René Rothert
LARGE SCALE is a videowork, that depicts the inhabited area where International Leisure Development (ILD) with the support of the local government is planning to construct a destination city of leisure for all ages, that consists of 32 hotel casinos, five (5) major theme parks, a conference center, several other hotels, hundreds of retail shops, restaurants, a golf course, a horse race track, an opera, museums, and residential development (www.granscala.com).
- Videotrailer (Vimeo)
- Projectdescription + Interview on Webpage of NOMAD Films
CODE, HD-SCREENING FILM VERSION, PTZ-CAMERA, VIDEOINSTALLATION
15-Channel Videoinstallation (Pal SD) by Tobias Rosenberger, 4min31 (Loop)
Music: René Rothert
LARGE SCALE is a videowork, that depicts the inhabited area where International Leisure Development (ILD) with the support of the local government is planning to construct a destination city of leisure for all ages, that consists of 32 hotel casinos, five (5) major theme parks, a conference center, several other hotels, hundreds of retail shops, restaurants, a golf course, a horse race track, an opera, museums, and residential development (www.granscala.com).
- Videotrailer (Vimeo)
- Projectdescription + Interview on Webpage of NOMAD Films
CODE, HD-SCREENING FILM VERSION, PTZ-CAMERA, VIDEOINSTALLATION
Misere(re) (Frankfurt 2010)
The renowned creative venue Niddastraße 84 participates in Luminale 2010 and shows an intermedial light and space installation in the courtyard of the factory ensemble built at around 1900. Each periscope-like unit is experienceable from inside, outside and above and affords exciting insights into the different facettes of Nidda 84. (Luminapolis)
Participants:
apd architekten ingenieure, Berens.Bauer.Belocassi, Bernhard Knaus Fine Art, Franken Architekten with Tobias Rosenberger, Gruber + Kleine-Kraneburg Architekten, Kai Middendorff Galerie with Paul Schwer, MESO Digital Interiors + Web Scapes
- Projectdescription Misere(re), PDF
LIGHTINSTALLATION, PUBLIC SPACE, SEMI-TRANSPARENT, SITESPECIFIC
The renowned creative venue Niddastraße 84 participates in Luminale 2010 and shows an intermedial light and space installation in the courtyard of the factory ensemble built at around 1900. Each periscope-like unit is experienceable from inside, outside and above and affords exciting insights into the different facettes of Nidda 84. (Luminapolis)
Participants:
apd architekten ingenieure, Berens.Bauer.Belocassi, Bernhard Knaus Fine Art, Franken Architekten with Tobias Rosenberger, Gruber + Kleine-Kraneburg Architekten, Kai Middendorff Galerie with Paul Schwer, MESO Digital Interiors + Web Scapes
- Projectdescription Misere(re), PDF
LIGHTINSTALLATION, PUBLIC SPACE, SEMI-TRANSPARENT, SITESPECIFIC
The Grand Defender (Esslingen 2010)
Mixed Media. Wood (white painted), laminate, architectural model beneath plexiglass, Plasma-TV (50“), 2 loudspeakers, neon lamps, 12 x 3d-Prints (Abs-material, ivory-colored), Video 17min; Size: 2m80 (W) x 2m80 (D) x 2m60 (H)
Tobias Rosenberger presents a trade fair booth by the company THE GRAND DEFENDER. The company's security concept is allegedly based on the teachings of the Chinese philosopher, engineer and military adviser MoZi.
- Videotrailer (Vimeo)
- Images (Picasa)
- Cataloguetext Dominik Meier (European Media Art Festival 2010)
CHINA, MEDIA SCULPTURE, MODEL, TEXT, VIDEO
Mixed Media. Wood (white painted), laminate, architectural model beneath plexiglass, Plasma-TV (50“), 2 loudspeakers, neon lamps, 12 x 3d-Prints (Abs-material, ivory-colored), Video 17min; Size: 2m80 (W) x 2m80 (D) x 2m60 (H)
Tobias Rosenberger presents a trade fair booth by the company THE GRAND DEFENDER. The company's security concept is allegedly based on the teachings of the Chinese philosopher, engineer and military adviser MoZi.
- Videotrailer (Vimeo)
- Images (Picasa)
- Cataloguetext Dominik Meier (European Media Art Festival 2010)
CHINA, MEDIA SCULPTURE, MODEL, TEXT, VIDEO
Real Estate (Austria / Poland 2009)
Responsive Object by Alex Berlinger, Wolfgang Fiel and Tobias Rosenberger
Mixed Media. Metal space-frame on wooden plinth, 6 TFT screens, 3 computers, 6 speakers; Size: 100cm (W) x 60cm (D) x 220 cm (H);
The piece is conceived as the scaled-down model of a corporate office building. The rooms are designed and furnished in accordance to a narrative, which involves three fictitious characters: Rosalind Sedlacek, Walter Petterson, and Dick Schuster.
- Images (Picasa)
- Catalogue text (EmobilArt)
CODE, MEDIA SCULPTURE, MODEL, SEMI-TRANSPARENT, TEXT
Responsive Object by Alex Berlinger, Wolfgang Fiel and Tobias Rosenberger
Mixed Media. Metal space-frame on wooden plinth, 6 TFT screens, 3 computers, 6 speakers; Size: 100cm (W) x 60cm (D) x 220 cm (H);
The piece is conceived as the scaled-down model of a corporate office building. The rooms are designed and furnished in accordance to a narrative, which involves three fictitious characters: Rosalind Sedlacek, Walter Petterson, and Dick Schuster.
- Images (Picasa)
- Catalogue text (EmobilArt)
CODE, MEDIA SCULPTURE, MODEL, SEMI-TRANSPARENT, TEXT
The An-Archic Device (Mexico 2009)
Mixed Media. Deconstructed Tft-Screen, Motor, Revolving Wheel, 4 Speakers, Led's, PC, small sculptures, coin mechanism
Size: 1m (W) x 1m40 (D) x 1m (H);
Standby-Mode: 8min (Loop, only Audio), Activated-Mode: 5min47sec
The An-Archic Device is something between toy theatre, street altar and peepshow: a small-scale stage model, a blinking automata, an audio-visual machine, that produces physical and anarchic dissociation by means of laughter.
Installation based on "The Conquest of Mexico" by Antonin Artaud.
- Videotrailer (Vimeo)
- Projectblog (Blogspot)
MEDIA SCULPTURE, MODEL, TEXT, VOICE, TFT, SEMI-TRANSPARENT
Mixed Media. Deconstructed Tft-Screen, Motor, Revolving Wheel, 4 Speakers, Led's, PC, small sculptures, coin mechanism
Size: 1m (W) x 1m40 (D) x 1m (H);
Standby-Mode: 8min (Loop, only Audio), Activated-Mode: 5min47sec
The An-Archic Device is something between toy theatre, street altar and peepshow: a small-scale stage model, a blinking automata, an audio-visual machine, that produces physical and anarchic dissociation by means of laughter.
Installation based on "The Conquest of Mexico" by Antonin Artaud.
- Videotrailer (Vimeo)
- Projectblog (Blogspot)
MEDIA SCULPTURE, MODEL, TEXT, VOICE, TFT, SEMI-TRANSPARENT
Projektion 1675 (Schöppingen 2009)
Media Sculpture by Tobias Rosenberger (Stereo-Audio + Peepshow)
16-minute Audio play, based on the text "Drole de Pensée" (Leibniz, 1675)
Mixed Media (Wood, CCFL, Led, Small Sculptures, Deconstructed Tft, Microcontroller, PC)
Media Sculpture by Tobias Rosenberger (Stereo-Audio + Peepshow)
16-minute Audio play, based on the text "Drole de Pensée" (Leibniz, 1675)
Mixed Media (Wood, CCFL, Led, Small Sculptures, Deconstructed Tft, Microcontroller, PC)
Sounddesign / Dramaturgical Advise: René Rothert
Voice: Malte Scholz
Drawings: Anna Peschke
- Images (Picasa)
- Projectdescription, PDF
MEDIA SCULPTURE, MODEL, SEMI-TRANSPARENT, TEXT, VOICE
Herakles 2 / Die Hydra (Giessen 2008)
Texttheater after Heiner Müller, Duration 35 Minutes: with Tobias Rosenberger (Director), Ana Berkenhoff (Performer), René Rothert (Singing, Guitar);
Also as third part of "3 x Müller" (1h15m): Directors: Behrendt / Klüsener (1), Ullerup-Schmidt (2), Rosenberger (3); Performer: Ana Berkenhoff (1-3)
...in the white silence, which announced the beginning of the final round, he learned to read the always different building-plan of the machine, which he was stopped being was again different with every glance grasp step, and that he thought changed wrote it with the handwriting of his labors and deaths (H. Müller)
- Listen to first minute of Herakles 2 (Audio File)
- 3 x Müller at Koerber Studio Junge Regie 2009
HEINER MÜLLER, THEATER, VOICE
Texttheater after Heiner Müller, Duration 35 Minutes: with Tobias Rosenberger (Director), Ana Berkenhoff (Performer), René Rothert (Singing, Guitar);
Also as third part of "3 x Müller" (1h15m): Directors: Behrendt / Klüsener (1), Ullerup-Schmidt (2), Rosenberger (3); Performer: Ana Berkenhoff (1-3)
...in the white silence, which announced the beginning of the final round, he learned to read the always different building-plan of the machine, which he was stopped being was again different with every glance grasp step, and that he thought changed wrote it with the handwriting of his labors and deaths (H. Müller)
- Listen to first minute of Herakles 2 (Audio File)
- 3 x Müller at Koerber Studio Junge Regie 2009
HEINER MÜLLER, THEATER, VOICE
Cold Lights (Frankfurt 2008)
Installation by Maximilian Haas, René Liebert and Tobias Rosenberger
Mixed Media (Podesterie, Wood, 12 Tft-Displays, 24 Mini-Speakers, Mouse, 4 Scorpions, Lighting Bacteria, Chemoluminescent Liquids, 2 Cameras, Sensors, Motors, 7 PC, 2 Audio-Interfaces + 2 Arduino-Microcontroller).
Size: ca. 6m30 (L) x 4m50 (W) x 3m30 (H)
The audio-visual Installation Cold Lights confronts the accuracy of the natural scientific view on the observed object with the "long winded" perception of an art piece.
- Videotrailer (Vimeo)
- Projectdescription, PDF
BIOLUMINESCENCE, CODE, LIGHTINSTALLATION, SEMI-TRANSPARENT
Installation by Maximilian Haas, René Liebert and Tobias Rosenberger
Mixed Media (Podesterie, Wood, 12 Tft-Displays, 24 Mini-Speakers, Mouse, 4 Scorpions, Lighting Bacteria, Chemoluminescent Liquids, 2 Cameras, Sensors, Motors, 7 PC, 2 Audio-Interfaces + 2 Arduino-Microcontroller).
Size: ca. 6m30 (L) x 4m50 (W) x 3m30 (H)
The audio-visual Installation Cold Lights confronts the accuracy of the natural scientific view on the observed object with the "long winded" perception of an art piece.
- Videotrailer (Vimeo)
- Projectdescription, PDF
BIOLUMINESCENCE, CODE, LIGHTINSTALLATION, SEMI-TRANSPARENT
Sana'a - City of Lights (Yemen 2007)
Installation by René Liebert and Tobias Rosenberger (Sound: Matthias Mohr)
On an invitation of the French and German embassies in Sana'a / Yemen ("The German-French Cultural Project 2007), under the patronage of the Yemeni minister of culture and the mayor of Sana'a.
Ramadan 2007 (21.09.2007 - 03.10.2007, 22.00 - 24.00)
- Projectblog (Blogspot)
- Video Channel (Youtube)
- Images (Flickr)
LIGHTINSTALLATION, PUBLIC SPACE, SITESPECIFIC, VIDEO
Installation by René Liebert and Tobias Rosenberger (Sound: Matthias Mohr)
On an invitation of the French and German embassies in Sana'a / Yemen ("The German-French Cultural Project 2007), under the patronage of the Yemeni minister of culture and the mayor of Sana'a.
Ramadan 2007 (21.09.2007 - 03.10.2007, 22.00 - 24.00)
- Projectblog (Blogspot)
- Video Channel (Youtube)
- Images (Flickr)
LIGHTINSTALLATION, PUBLIC SPACE, SITESPECIFIC, VIDEO
Breathing City (France, Spain 2007 / 2008)
4-Channel Videoinstallation (Pal, 720x576) by Tobias Rosenberger, 7min40 (Loop)
Music: Elad Shniderman
Breathing City is a video and sound installation comprising of 4 TV screens and surround sound system. The video screens display an 8 minute cycle depicting urban surroundings, captured by computer controlled robotic cameras, accompanied by a musical composition for 4 breathing voices edited for surround sound. The robotic camera movement contrasts with the human motion, opposing the animate with the inanimate, the city life and the living city.
- Videotrailer (Vimeo)
- Projectdescription, PDF
CODE, PTZ-CAMERA, PUBLIC SPACE, VIDEOINSTALLATION
4-Channel Videoinstallation (Pal, 720x576) by Tobias Rosenberger, 7min40 (Loop)
Music: Elad Shniderman
Breathing City is a video and sound installation comprising of 4 TV screens and surround sound system. The video screens display an 8 minute cycle depicting urban surroundings, captured by computer controlled robotic cameras, accompanied by a musical composition for 4 breathing voices edited for surround sound. The robotic camera movement contrasts with the human motion, opposing the animate with the inanimate, the city life and the living city.
- Videotrailer (Vimeo)
- Projectdescription, PDF
CODE, PTZ-CAMERA, PUBLIC SPACE, VIDEOINSTALLATION
Studierzimmer / Nachts (Giessen 2007)
Generative Theatre after the Text "Sizilischer Brief an den Mann im Mond" by Ernst Jünger, 400 Minutes,
Theater by Tobias Rosenberger (Director) Lars Brückmann (Performer), Christian Flierl (Dramaturgy, Light) and Gilles Aubry (Music)
Generative Algorithmen analysieren, verwalten und steuern Ton (8-Kanal), Licht (50-Dmx Kanäle), Video, Tischtennisballmaschine, Herdplatte, Sensoren und Kamera sowie Performer und Text. Studierzimmer/Nachts schafft sich sein eigenes System, welches gänzlich ohne menschliche Steuerung von Außen auskommt: Der Darsteller bekommt einerseits über in das Bühnenbild integrierte Interfaces eine gewisse Einflussnahme auf die Parameter der Technik, welche andererseits wiederum rückwirkend Konsequenzen auf seine Bühnenhandlungen und den gesprochenen Text haben.
CODE, ERNST JÜNGER, THEATER
Generative Theatre after the Text "Sizilischer Brief an den Mann im Mond" by Ernst Jünger, 400 Minutes,
Theater by Tobias Rosenberger (Director) Lars Brückmann (Performer), Christian Flierl (Dramaturgy, Light) and Gilles Aubry (Music)
Generative Algorithmen analysieren, verwalten und steuern Ton (8-Kanal), Licht (50-Dmx Kanäle), Video, Tischtennisballmaschine, Herdplatte, Sensoren und Kamera sowie Performer und Text. Studierzimmer/Nachts schafft sich sein eigenes System, welches gänzlich ohne menschliche Steuerung von Außen auskommt: Der Darsteller bekommt einerseits über in das Bühnenbild integrierte Interfaces eine gewisse Einflussnahme auf die Parameter der Technik, welche andererseits wiederum rückwirkend Konsequenzen auf seine Bühnenhandlungen und den gesprochenen Text haben.
CODE, ERNST JÜNGER, THEATER
Der Mann mit dem Tornister (Offenbach 2006)
Theaterstück für distanzierte Zuschauer (oberster Rang) nach Texten von Ernst Jünger, Heiner Müller und Roth Rosenmohr
Regie / Sound / Text: Roth Rosenmohr (Matthias Mohr, Tobias Rosenberger, René Rothert)
mit: Ana Franziska Berkenhoff , Tammo Messow, Leila Barchi, Aline Benecke, Anne Kowalsky, Christian Händel, Jessica Richards, Malte Scholz, Maria Guggenbichler, Ragna Dübbelde
Capitol Offenbach (Festival Junger Talente)
- Videotrailer (Vimeo)
THEATER, REGIE, ERNST JÜNGER, HEINER MÜLLER
Theaterstück für distanzierte Zuschauer (oberster Rang) nach Texten von Ernst Jünger, Heiner Müller und Roth Rosenmohr
Regie / Sound / Text: Roth Rosenmohr (Matthias Mohr, Tobias Rosenberger, René Rothert)
mit: Ana Franziska Berkenhoff , Tammo Messow, Leila Barchi, Aline Benecke, Anne Kowalsky, Christian Händel, Jessica Richards, Malte Scholz, Maria Guggenbichler, Ragna Dübbelde
Capitol Offenbach (Festival Junger Talente)
- Videotrailer (Vimeo)
THEATER, REGIE, ERNST JÜNGER, HEINER MÜLLER
Bypass (Frankfurt 2006)
Installation(s) by Stefan Hölscher, Marc Jungreithmeier, Matthias Meppelink, Matthias Mohr, Tobias Rosenberger, Roland Siegwald, Lucie Tuma
Tunnel vision as an optical filter on a scene by the river. The banks of the river Main at night in a different light; for anyone who would like to spend a little time under the Alte Brücke bridge. Before is behind. Good prospects/views looking outwards from town.
"Bypass" ist eine Arbeit von Studierenden des Instituts für Angewandte Theaterwissenschaft der Justus Liebig Universität Gießen, die unter der Leitung von Prof. Heiner Goebbels im Wintersemester 2005 diesen Beitrag zur Luminale entwickelt haben. Mit freundlicher Unterstützung der Satis & fy AG, Deutschland.
- Images Transform Magazine
LIGHTINSTALLATION, PUBLIC SPACE, SEMI-TRANSPARENT, SITESPECIFIC
Installation(s) by Stefan Hölscher, Marc Jungreithmeier, Matthias Meppelink, Matthias Mohr, Tobias Rosenberger, Roland Siegwald, Lucie Tuma
Tunnel vision as an optical filter on a scene by the river. The banks of the river Main at night in a different light; for anyone who would like to spend a little time under the Alte Brücke bridge. Before is behind. Good prospects/views looking outwards from town.
"Bypass" ist eine Arbeit von Studierenden des Instituts für Angewandte Theaterwissenschaft der Justus Liebig Universität Gießen, die unter der Leitung von Prof. Heiner Goebbels im Wintersemester 2005 diesen Beitrag zur Luminale entwickelt haben. Mit freundlicher Unterstützung der Satis & fy AG, Deutschland.
- Images Transform Magazine
LIGHTINSTALLATION, PUBLIC SPACE, SEMI-TRANSPARENT, SITESPECIFIC
Esquisse (Darmstadt 2006)
Soloprogramme Trombone Uwe Dierksen
Soloprogramme Trombone Uwe Dierksen
Scenic Staging "Esquisse" (Composition: Johannes Maria Staudt):
Matthias Mohr + Tobias Rosenberger
A trombone player (Uwe Dierksen, Ensemble Modern) in the narrowness of a sound booth. The outer walls become a medial facade. Small surveillance cameras translate the mechanical dynamics of the play to visuals. Outside is inside.
Scenic Concert as part of of Internationale Musiktage Darmstadt, Centralstation
- Videotrailer (Vimeo)
SCENIC CONCERT, VIDEO
Tierkreis (Giessen 2005)
Audiovisual Installation for Musik by Karlheinz Stockhausen
In Collaboration with René Rothert
Mehrkanalvideoprojektionen auf Eisensiebe aus der Tonverarbeitung
im Rahmen der Theatermaschine Giessen, TIL
SCENIC CONCERT, SEMITRANSPARENT, VIDEOINSTALLATION
Audiovisual Installation for Musik by Karlheinz Stockhausen
In Collaboration with René Rothert
Mehrkanalvideoprojektionen auf Eisensiebe aus der Tonverarbeitung
im Rahmen der Theatermaschine Giessen, TIL
SCENIC CONCERT, SEMITRANSPARENT, VIDEOINSTALLATION
Antigone (Offenbach 2003)
Director: Tobias Rosenberger;
Stage: Kriss Merken; Sound: Simon Schäfer; Light: Christian Flierl
Performer: Sijia Liu, Zhiqi Xie, Tian Xia, Feifei Li, Haijie Hu, Weian Xiang
"Ich habe China gewählt, weil ich aus der indo-europäischen Welt und den historischen Bezügen herauskommen wollte; gleichzeitig brauchte ich ein ebenso klar formuliertes und kommentiertes Denken wie das griechische: [...] Es ging mir darum, ins Spiel zu bringen, was Foucault zu Beginn der Ordnung der Dinge eine „Heterotopie“ nennt [...] Daher hat mein Umweg über China nichts mit Sehnsucht nach Exotik zu tun, es ist mehr eine Frage der Methode. Die Methode, das Denken den Ort wechseln zu lassen, um andere Arten der Intelligibilität zu berücksichtigen, um durch einen Umkehreffekt die Ausgangsbedingungen der europäischen Vernunft zu hinterfragen." (F. Jullien)
CHINA, SITESPECIFIC, THEATER
Director: Tobias Rosenberger;
Stage: Kriss Merken; Sound: Simon Schäfer; Light: Christian Flierl
Performer: Sijia Liu, Zhiqi Xie, Tian Xia, Feifei Li, Haijie Hu, Weian Xiang
"Ich habe China gewählt, weil ich aus der indo-europäischen Welt und den historischen Bezügen herauskommen wollte; gleichzeitig brauchte ich ein ebenso klar formuliertes und kommentiertes Denken wie das griechische: [...] Es ging mir darum, ins Spiel zu bringen, was Foucault zu Beginn der Ordnung der Dinge eine „Heterotopie“ nennt [...] Daher hat mein Umweg über China nichts mit Sehnsucht nach Exotik zu tun, es ist mehr eine Frage der Methode. Die Methode, das Denken den Ort wechseln zu lassen, um andere Arten der Intelligibilität zu berücksichtigen, um durch einen Umkehreffekt die Ausgangsbedingungen der europäischen Vernunft zu hinterfragen." (F. Jullien)
CHINA, SITESPECIFIC, THEATER